Monday, November 27, 2023

Episode by Episode - Star Trek: Enterprise


Season 2

Episode 42 Future Tense

 


This is part of the Temporal Cold War story arc which fans hated but this episode is spectacular.  Enterprise finds a derelict spaceship with dead human pilot and layers of mystery surrounding it.  Just about every random alien in the galaxy starts attacking Enterprise trying to get the spaceship.  It features the THOLIANS!!! Who were only ever seen in the Star Trek original series episode The Tholian Web.  Any episode that connected Enterprise to the original series was always welcomed.  It’s a huge mystery about why the ship is so important but it doesn’t matter because the action is was solid.   

 

Written by
Joseph Ammendolea
Owner/President
“I Like To Play With Toys” Productions®
ILikeToPlayWithToysProductions@Yahoo.com

Monday, November 20, 2023

Episode by Episode - Star Trek: Enterprise


Season 2

Episode 41 Cease Fire

 


ANDORIANS!!! We love any episode with the Andorians.  They were the best part of Star Trek Enterprise and this episode is no acceptation.  The Vulcans and Andorians are at war and want Captain Archer to mediate a cease-fire.  The action is great, Tucker acting as Captain is spot-on.  There is always a nice twist when it comes to the Vulcan/Andorian feuds in these episodes.  

 

Written by
Joseph Ammendolea
Owner/President
“I Like To Play With Toys” Productions®
ILikeToPlayWithToysProductions@Yahoo.com

Friday, November 17, 2023

The Young Indiana Jones Chronicles - Innovative Failure

The Young Indiana Jones Chronicles (YIJC) is on Disney+ but the moron I am got tired of waiting and broke down and bought the DVDs about 3 years earlier. It's a very odd show, it had a massive budget for televison. George Lucas wanted to create films for the small screen. The stories were meant to be epic.  



River Phoenix declined to return to the role after his appearance in the Last Crusade.  Sean Patrick Flannery stepped in as teenage Indy, Corry Carrier as child Indy, and George Hall as old Indy. Harrison Ford was offered the part of old Indy but turned it down because…he’s one of the biggest stars in Hollywood.  

 

The original broadcasts originally had a bookend segment featuring Old Indy in modern day (the early 1990s) and then would cut to a flashback of this crazy old man yammering on about some adventure he had when he was a child or teenager.  The broadcast versions jumped around in the timeline, much like the show This Is Us.  




The show’s huge budget and lack of ratings got it canceled after two seasons.  After its cancelation four TV films were made in an attempt to rework the format into something sellable to other networks.  

 

YIJC wasn’t aired on a consistent date or time when originally broadcast which made it impossible to find its audience.  Network decision errors aside, the problems with implementing the show are numerous.  The Old Indy scenes are just painful to watch.  Indiana Jones shouldn’t be some crazy old man wandering museums harassing kids about the time he went to Egypt and fought a mummy. The pacing of the stories are agonizing when trying to work around a television format. 

 

The Young Indy stories are not fun or interesting.  Indy as child growing up, nothing exciting happens to him.  The stories aren’t compelling, have no action, no drama, no heart, no humor. 

 

The Teenage Indy stories are better.  But those don’t pick up until he runs away from home and starts meeting random famous people in history (eye roll).  Sean Patrick Flannery does not bring the same flair to the character that River Phoenix brought in The Last Crusade but he does an adequate job.  Crafting stories around an older character does help create more excitement and allows you put him in more adult scenarios.  That doesn’t excuse the failure of Young Indy.  He could have had his own level adventure.  Lucas really lacked the vision of what could have been done.  


 

A modern issue with the show stems from how the stories were “retold.”  Lucas reedited the entire show into mini movies in hopes of selling them into syndication and also on home video.  The four TV films post cancellation were meant to entice network affiliates into buying the package.  It’s a rather interesting endeavor and not crazy idea in relations to 1990s television.    Ultimately it was a failure as the show wasn’t picked up.  Lucas’ attempts to redefine the standard of television failed. 

 

In classic George Lucas fashion, he recuts the entire show with no care for what preceded it.  The reedit cuts out all the Old Indy scenes which everyone hated.  But ultimately helped fit a pacing for television that included suspenseful act breaks.  Without the Old Indy scenes the episodes are left to stand on their own with no contexts. In the original format certain episode stories started with Young Indy and were resolved with Teen Indy.  In the new format the viewer doesn’t get a resolution to certain stories until well later in the series chronology.  The story telling becomes completely inconsistent.  The Young Indy episodes are hurt most by these changes.  The Teen Indy episodes had enough dramatic content on their own to survive these changes. 

 

The show has some exciting moments but overall is not very compelling.  What’s supposed to be a story about how a young man grows into the larger than life character Indiana Jones lacks any real footing.   It’s certainly worth watching but don’t feel guilty for fast-forwarding the boring parts because we all have lives to live.



You have to give George Lucas for always trying to be innovative.  He doesn’t just make a product.  He pushes industry boundaries and is willing to fail in the process.  Young Indiana Jones is Lucas’ attempt to keep a franchise alive while trying to increase the scale and quality of TV production.  If you look at shows like Lost, Game of Thrones, Wanda Vision, The Mandalorian these are all fairly recent big budget television that have cropped up.  Lucas was trying to set the bar higher in the 90s.  He failed with YIJC but the idea resurged as technology evolved.  

 

Also, the TV culture changed.  Lost was a show which had an interactive fan community.  Creators were looking at fan web boards and reading their theories and adjusting their stories based on that fan feedback.  It was an almost interactive show which allowed them to adjust stories mid-season.  The new streaming culture has high budgeted TV shows with less episodes per season.  So instead of 20 – 26 episode seasons with some of the writing forced or phoned in to fit a production order.  A viewer is given 8 – 12 quality episodes, character based, and story arc driven.  



Lucas understood TV needed to change but he just wasn’t sure how to implement that change.  Ultimately his vision wasn’t the future of television but he did see the current format was eventually going to die out if it didn’t adapt.  




Written by
Joseph Ammendolea
Owner/President
“I Like To Play With Toys” Productions®
ILikeToPlayWithToysProductions@Yahoo.com


Monday, November 13, 2023

Episode by Episode - Star Trek: Enterprise


Season 2

Episode 40 Stigma

 


Such a powerful episode and well within the realm of Star Trek teaching morality via science fiction allegory.   T’Pol ended up contracting Pa'nar Syndrome from the Vulcan douche-bag who forced mind melded with her in the episode Fusion.  Phlox tries to get data on how to treat the disease from Vulcan doctors who refuse to supply him with any information because Pa'nar Syndrome can only be contracted by mind melds which are illegal or taboo (unclear) on Vulcan during that time period.  Archer wishes to reveal the origin of how T’Pol got infected since it was special circumstances but she refuses because her belief that people shouldn’t be ostracized from treatment because of their beliefs, practices, conditions, etc. She almost loses her job over it but Another Vulcan steps up and defends her and thus Phlox is able to get the limited data in hopes of treating condition.  

 

The depth of this story reverberates on so many levels.  The first that comes to mine is how AIDS patients were treated back in the 80s. It shouldn’t matter if T’Pol got Pa'nar Syndrome though consensual contact or via a sci-fi rape allegory.  What matters is a person is sick and needs help.  Those who refuse to help those in need are wrong. 

 

Written by
Joseph Ammendolea
Owner/President
“I Like To Play With Toys” Productions®
ILikeToPlayWithToysProductions@Yahoo.com

Monday, November 6, 2023

Episode by Episode - Star Trek: Enterprise


Season 2

Episode 39 Dawn

 


Tucker ends up stranded on a planet with yet another Alien.  This one isn’t as good looking as the one in Precious Cargo.  He’s a bit more hostile and they have to work together to get saved.  It’s a little too similar to the film Enemy Mine starring Dennis Quaid and Louis Gosset Jr.  Spoiler, they get saved at the end. 

The writers must have kept throwing Tucker in with aliens because he was a more adversarial character.  Archer always tried to be buddies with everyone while Tucker didn’t mind putting a person in their place.  This episode can be skipped. 

 

Written by
Joseph Ammendolea
Owner/President
“I Like To Play With Toys” Productions®
ILikeToPlayWithToysProductions@Yahoo.com

Friday, November 3, 2023

Untitled Poem

Here I am, solidarity confinement within a mental prison. Accepted morbid blissful cell, something's wrong, give me a pill, or a line, or a glass full of never mind, make me forget this. 

A gossiping world of lost souls trying to point the right path to others they never found. 

A mouthful of junk food is nourishment for the hungry ear, and I want to fast forever. 

Here I am, solidarity confinement within a mental prison. I must find a way… 

Release me from this hell.


 

By Kristin Smith 

©2023 Kristin Smith