Monday, November 17, 2025

The Suicide Squad - DCEU Review Series

DCEU Review Series

The Suicide Squad

2021

Director: James Gunn

 


The last good DCEU film.  It’s as if the film does everything it can to be the opposite of the first film while also mocking how to do right everything the first one got wrong.  The opening wastes no time like the first film.  It introduces the characters fast and entertainingly.  It then kills them all off quickly.  A great bait and switch.  The team we meet in the opening are a decoy team and the film is actually focused on a second team of villains forced to work for the government. 

 

We then meet the real team lead by Bloodshot.  After character introductions they are sent to save Colonel Rick Flag (one of two survivors of team 1).  The team kills an entire team of freedom fighters thinking they are bad.  It takes some great writing to have characters still be likeable after accidentally killing good guys.  The Suicide Squad pulls that gag off fairly well.  

 

We then learn about the big bad Starro which the government of Corto Maltese wants to harness for evil stuff.  Then we cut to Harley Quinn (the second team 1 survivor) who’s being wooed by the leader of the country.  Harley kills the leader of the country because he’s a douchebag.  She busts herself out of captivity just as team 2 comes to rescue her.  

 

The plot is fairly simple, as it progresses it takes its time to develop each character.  Good characters make-up for any lacking in plot.  James Gunn makes a point to develop the characters organically which is something the first film failed to do on multiple levels.  

 

With everyone reunited they bust into the enemy stronghold.  Action ensues.  They come across a bunch of people possessed by Starro.  It turns out the US government was in on a bunch of terrible experiments and Amanda Whaler sent the squad there to destroy the evidence.  Flag wants to expose the government but Peacemaker is a blind follower and wants to stop that from happening.  Starro bust lose during the turmoil and everything gets amped up exponentially.  Peacemaker kills Flag to get a hard drive of evidence. As he’s about to kill Ratcatcher 2, Bloodshot stops him.  

 

Starro bust out and starts taking over everyone on the island.  Whaler orders the team to leave but they all decide to save the people even if it means she’ll blow them all up.  Her staff knocks her out and then assist The Suicide Squad in stopping Starro.  A bunch of action goes down.  Ratcatcher summons a ton of rats to attack Starro which allows Harley Quinn to launch a magic javelin in its eye, killing it.  The city is saved.  Bloodshot leverages the hard drive for their freedom.  

 


A solid soundtrack with songs that actually fit the narrative.  The soundtrack fit so well it almost seemed like a giant middle finger to the first film which just ham-fisted songs into the movie for no real reason.  They couldn’t even argue product placement for the song choices in the first film. 

 

This entire review seems like a comparison to its predecessor.  That’s because the first film was so wrong and the second film works so well.  Look at Bloodsport’s tense relationship with his daughter.  It is a mirror of Deadshot’s relationship with his daughter in one.  But it failed to garner anything other than cliché.  Two gets that relationship right. The Suicide Squad succeeds everywhere Suicide Squad film failed.  Somehow adding “The” to the name changed the entire narrative for the better. 




Written by
Joseph Ammendolea
Owner/President
“I Like To Play With Toys” Productions®
ILikeToPlayWithToysProductions@Yahoo.com

Friday, November 14, 2025

Stereomatic - Groove Is In The Heart

 Live at Spotlight in Huntington, NY. 

Wednesday, November 12, 2025

The DC Animated Universe Weekly Review - Superman: The Animated Series

 Superman: The Animated Series

Episode 7

The Way of All Flesh

 


Metallo is born.  John Corben is living a life of luxury in prison as a thanks from Lex Luthor for not ratting on him.  He somehow gets a rare disease and uses Luthor to escape and be cured.  Luthor’s scientists transfer his brain into a robot, give him a kryptonite heart, and the name Metallo.  The price of this cure, Luthor wants Superman dead. 

 

The twist in the episode is Metallo loses his sense of touch, taste, smell and it drives him insane.  One of the more unbelievable moments is when he forces a kiss on Lois Lane.  Her smack is justified but pointless.  The complexity in that move on a children’s cartoon is profound.   Corben’s distraught over his loss of human senses.  He demands Luthor scientists fix him, they say it can’t be done.

 

Corben tracks Luthor down to kill him.  The best part is when Corben complains about not being able to have sex ever again.  Since the cartoon can’t outright say it, he just says he can’t-dot-dot-dot, looks at the beautiful woman Lex Luthor is on a date with, and throws her overboard.  How that got by the censors is pure gold.  Luthor talks a good game and calms Metallo down. 

 

Superman shows up and reveals that Luthor is the one who gave Corben the disease.  Metallo is all kinds of pissed off.  He wants to kill Superman and Lex Luthor.  Superman has to keep his distance because of the kryptonite heart.  During his rage the boat explodes, Corben sinks to the bottom of the ocean.  Superman saves Lex Luthor because heroes don’t discriminate on whom they save.  

 

A pretty good episode.  We get a new super powered villain who is a real obstacle Superman.  It’s a callback to the first episode where Corben was a mercenary.  A nice mini-story arc was created there.  We get Luthor showing how great of a foe he can be by pulling the strings from behind and Superman unable to stop him by conventional means.  

 

Written by
Joseph Ammendolea
Owner/President
“I Like To Play With Toys” Productions®
ILikeToPlayWithToysProductions@Yahoo.com

Friday, November 7, 2025

Stereomatic - I Want Candy

 Live at Spotlight in Huntington, NY. 

Wednesday, November 5, 2025

The DC Animated Universe Weekly Review - Superman: The Animated Series

 Superman: The Animated Series

Episode 6

Feeding Time

 


Our introduction to The Parasite.  He has the power to suck Superman’s strength.  That’s a formidable foe.  His origin story involves Rudy Jones getting soaked in chemicals he was stealing.  The chemicals turn him into a monster.  As far as scare tactics go this was pretty damn gruesome.  Worse than anything BtAS ever did, maybe one of the gorier moments in the entire DCAU. 

 

We get to see Jimmy Olsen save Superman this time around.  A great way to hash out the young photographer’s character.  He’s ambitious, discounted for his youth.  Olsen proves to be a loyal friend to Superman.  While he’ll get other episodes focused on him. Olsen’s character never truly shines in the series but we are treated to small moments here and there.  Parasite is able to read the thoughts of people whose energy he steals, conveniently he needs a recharge every few hours, and super conveniently forgets it after losing the energy.  He ends up catatonic at the end but hints his return (because they always return) happen after sucking the strength out of a roach.  

 

Overall this episode isn’t too exciting except for his transformation into the parasite but we are treated to another villain who is a danger to Superman.  A lot of the early episodes focused on creating villains that could be a challenge to the character.  It’s easy to make villains for Batman.  Superman rogues are a true challenge the creators had to put real thought and effort into establishing as threats.  

 

Written by
Joseph Ammendolea
Owner/President
“I Like To Play With Toys” Productions®
ILikeToPlayWithToysProductions@Yahoo.com

Monday, November 3, 2025

Wonder Woman 1984 - DCEU Review Series

DCEU Review Series

Wonder Woman 1984

2020

Director: Patty Jenkins

 


I had to take a long break from this review series in order to prep for this film.  It’s such a disappointment compared to the tolerable first Wonder Woman.  The 2-hour and 30-minute runtime does not help.  The creators want to blame the pandemic for the horrible box office, which was likely a factor but when you create a film that can be used as the cure for insomnia, that’s your failing.  Terrible sequels come from a lack of understanding of what resonated with audiences in the first film.  Michael Bay is a great example of how to make bad sequels.  He never understands what people liked about the first film and amplifies the terrible stuff audiences tolerated.  James Cameron makes brilliant sequels and completely understands character growth from the first film to the next.  He then takes those characters and inserts them into plots with their new perspective on life via the first film.   

 

Wonder Woman 1984 opens with a 15-minute flashback where she’s running some triathlon and loses because she took a shortcut or something.  Then some lame attempt at an inspirational speech setting up the theme of the film.  Then we’re thrust into 1984 with interior designs and people dressed like it’s 1987.  There’s some dramatic robbery at a shopping mall because it takes place in the 80s and there’s nothing more Hollywood cliché than making an 80s film with a shopping mall.  All the performances in the mall sequence are so dramatic and over the top.  It’s like we’re watching an episode from the 1960s Batman without any of the campy humor. 

 

Wonder Woman is living the single 80s-gal life with her big shoulder pad blazers. She makes friends with Barbara Minerva who will turn into the villain Cheetah Girl.  Of course, in the typical “all villains are gay in Hollywood” fashion, Barbara Minerva has an unhealthy lesbian crush on Wonder Woman.  Cheetah Girl’s introduction has this really annoying visual inconsistency with the papers on her suitcase.  With the kind of money tossed at this film, they should have digitally fixed the damn papers surrounding her suitcase.  Each cut they are in a different spot.  That’s a minor complaint in a good movie.  It’s exponential into the quality we’re getting in a bad movie.  

 

There’s a magic crystal that grants wishes.  Wonder Woman accidentally wishes her boyfriend Steve Trevor back to life. Cheetah Girl wishes to have the powers of Wonder Woman.  Everyone thinks she’s hot now or something but she’s not hot at all because Kristen Wiig is not hot, not funny, not talented in anyway.  

 

They introduce us to a main villain Maxwell Lord who Cheetah Girl is all into but Wonder Woman thinks is a huge dork.  The problem with Maxwell Lord as a character is he’s known by comic fans but not the general public.  Since his character isn’t as well defined in the public eye, it allows creators to do whatever the hell they want and just slap a name from the comic onto it.  That’s the case with this character.  He’s super desperate in this film.  In the comics he’s a giant douchebag, in Justice League Unlimited the animates series he’s a corporate stooge for Cadmus.

 


Steve Trevor comes back by taking over the body of a random dude.  It’s a quantum leap scenario or something.  Wonder Woman and him hook-up.  There’s certainly ethical issues with their romantic interlude but it’s Gal Gadot so it’s unlikely any man would complain.  

 

We get a lot of lame cliché 80s gag. Looking at the 80s from the point of view of Steve Trevor, a guy from the early 1900s isn’t original or done in an interesting way.  They’re just wasting time.  The joke could have been done in 3 seconds.  

 

Maxwell Lord works a whammy and gets the powers to grant wishes.  He starts giving people what they wish for.  Really not evil super villain when you look at it.  Certainly careless but not horrible.  It’s causing a little chaos giving everyone what they ask for but it’s not being done out of evil or malice.  The dude starts trading wishes for favors or wealth or something which after 1 hours and 20 minutes we finally get our first real action scene in the movie.  The introduction race scene and mall action sequence has nothing to do with the plot.  They are time wasters to try and hook the audience in early.  This car chase is part of the plot but isn’t very compelling.  Wonder Woman running down a desert road fighting Egyptian military.  Wonder Woman is after Maxwell Lord because she thinks he has the wish stone and doesn’t understand he absorbed its power.  The sequence ends with Wonder Woman saving some kids but it looks really cheap and hokey. 

 

Maxwell Lord gets away, goes back to his office, keeps granting wishes to people.  All this crazy stuff keeps happening which is hard to explain but actually makes sense in the film.  It’s weird but Maxwell Lord is altering realty so much that all the nonsense fits with the plot.  The character motivations are confusing but all the strange things happening fit with the story.  

 

Wonder Woman appears to be losing her power because Cheetah Girl wished to have it or because she wished for Steve Trevor to come back from the dead or something.  Cheetah Girl turns bad for no real reason other than wanting to keep Wonder Woman’s power.  A nuclear war is about the breakout because of all the wish granting shenanigans of Maxwell Lord.  The dude really needs to learn how to say “no.”  

 


Wonder Woman renounces her wish for Steve Trevor to be alive, gets her powers back, runs away crying like a weak little girl.  Cheetah Girl changes her wish to actually be Cheetah Girl because somehow that’s better than having the powers of Wonder Woman. The creepy furry community certainly supported the change.  Maxwell Lord gets on the TV and starts going psycho with the wishes.  The results are as bad as when Bruce Almighty said yes to everyone’s prayers and not nearly as funny or entertaining.  Wonder Woman gets a powers upgrade to look like one of the winged people from Flash Gordon.  It looked ridiculous in Flash Gordon, it looks ridiculous in this film.  She fights Cheetah Girl in a terrible costume.  The B-Movie, The Howling had a better costume for animal/human hybrids than this $200 million film.  

 

Wonder Woman defeats Cheetah Girl and confronts Maxwell Lord who’s gone insane.  She uses her lasso or truth, then there’s some speech about people or the world being better or something.  A lot of generalized nonsense.  He renounces his wish which voids everyone else’s and the world is saved.  Pedro Pascal is a great actor who did the best he could as Maxwell Lord.  Some movies are just badly written.  In the denouement, Wonder Woman looks up in the sky with “wonder,” and anytime you end a film with the character looking up in the sky, you have a really shitty film.  

 

This movie was boring.  There was one major action sequence. The fight scenes with Cheetah Girl are boring. The characters are boring.  There’s no fixing this because the plot was so terrible.  The creators just wanted to make a film which took place in the 1980s but had no idea what to do about anything else.  Avoid this film at all costs. 

 


Written by
Joseph Ammendolea
Owner/President
“I Like To Play With Toys” Productions®
ILikeToPlayWithToysProductions@Yahoo.com

Friday, October 31, 2025

Stereomatic - Wild Wild Life

 Live at Spotlight in Huntington, NY. 

Wednesday, October 29, 2025

The DC Animated Universe Weekly Review - Superman: The Animated Series

 Superman: The Animated Series

Episode 5

A Little Piece of Home

 


It was going to happen eventually so why drag it out?  This is the episode that establishes Superman’s major weakness.  An irradiated piece of rock from Krypton, his home planet, called kryptonite.  While trying to stop a robbery at a museum owned by Lex Luthor, Superman gets his ass kicked.  Luthor figures out it was the rock that got Superman sick.  From there he sets up a robbery to lure in Superman and test the rock.  It works pretty well.  Luthor tries to work out a deal with Superman which would allow him to save the day as long as he stays away from Luthor operations. 

 

From a business standpoint, it’s not a bad offer.  But Superman being who he is, says no.  Lex Luthor sets out to kill him.  Lois gets involved, because it wouldn’t be a Superman story without Lois in danger.  Superman fights a giant robot T-Rex with kryptonite in the same room.  He’s not doing too good.  Lois uses some top-notch basketball skills to throw the rock in a led cup.  Superman destroys the monsters, launches the rock into space.  Lois agrees to not publish a story about his weakness, which is a class move considering how often he saves her life.  Luthor sends archeological teams all over the planet looking for more kryptonite.  

 

The best parts of this episode are Lex Luthor discovering the rock and instead of launching an all-out assault he first tests it, then tries to cut a deal.  The calculating approach is brilliant character development.  Luthor isn’t pure evil, just greedy.  He works as the antithesis of Superman because Supes would never barter in such a way.  And while his introduction in the opening three episodes was great, this fleshes out his persona much more.  

 

People have expressed complaints with the green little rock that can take out Superman but when you have a character who’s invulnerable and fights crime, you have to add drama and danger.  It’s a logical obstacle. Thankfully the creators didn’t overuse it as the episodes go on and focused on creating genuine foes Superman would have difficulty with.  

 

Written by
Joseph Ammendolea
Owner/President
“I Like To Play With Toys” Productions®
ILikeToPlayWithToysProductions@Yahoo.com

Friday, October 24, 2025

Stereomatic - Happy Birthday

 Live at Spotlight in Huntington, NY. 

Wednesday, October 22, 2025

The DC Animated Universe Weekly Review - Superman: The Animated Series

 Superman: The Animated Series

Episode 4

Fun and Games

 


It’s slated as episode four but it’s technically only the second episode.  We meet Toyman, a villain unknown in prior TV shows and films.  A smart choice to exclude Lex Luthor or Brainiac so as to establish Superman having a deeper rouges gallery.  The story is solid, Toyman is the son of a Winslow Schott who ended up working for Intergang leader Bruno Mannheim.  Mannheim used Schott’s store as a front and got busted for it.  Toyman wants revenge against Mannheim for screwing over his dad.  His gimmick is weaponized toys.  

 

In his very public efforts to kill Mannheim, reporters Clark Kent and Lois Lane are on the case trying to get the story.  Mannheim gets kidnapped via a giant toy duck.  It’s very similar looking to the boat ducks Penguin had in the BtAS episode The Mechanic.  For some reason the DCAU creators must think rubber duckies are scary.  It probably relates to a childhood trauma.  

 

The toy weapons aren’t too difficult for Superman to destroy but since Lois gets also gets kidnapped along with Manheim that’s where the challenge is.  How does Superman save the day?  Superman isn’t in danger but the people he wants to help are.  Being Superman, giant explosions happen, he saves everyone, it’s revealed Toyman likely faked his death.  

 

Toyman isn’t the most interesting villain, his voice is annoying, his gimmick is ridiculous.  He’s not much of a challenge for Superman.  What works for him though is he’s not as well known as other villains in the Superman world.  That allows for plenty of creative freedom.  The concept of wanting revenge isn’t new to the DCAU and is a plot recycled in BtAS many times.  What lets BtAS get away with it is the villains have far more depth and interest.  As far as villain introduction episodes go this is still a solid episode and an interesting enough story in of itself.  The strength in this episode lies in Clark Kent’s investigative reporter abilities and how he leverages that to save the day as Superman.  

 

Written by
Joseph Ammendolea
Owner/President
“I Like To Play With Toys” Productions®
ILikeToPlayWithToysProductions@Yahoo.com