Wednesday, January 28, 2026

The DC Animated Universe Weekly Review - Superman: The Animated Series

Superman: The Animated Series

Episode 19

Identity Crisis

 


Bizarro makes his first appearance.  His origin is different from the comics and much more logical.  He’s a Superman clone created by Lex Luthor in an attempt to have a Superman he can control.  Something goes wrong in the cloning process and Bizarro is the result. Bizarro isn’t truly a bad guy, just really stupid, and causing lots of problems in the process. 

 

A bunch of wacky and life endangering stuff happens.  Bizarro realizes he’s not the real Superman and sacrifices himself to save Lois Lane and a bunch of other people.  There isn’t much to critique in this episode but it’s still a fun watch.  It’s Bizarro’s best episode.  His follow-ups are far more annoying.  His origin story is spot-on.

 

Written by
Joseph Ammendolea
Owner/President
“I Like To Play With Toys” Productions®
ILikeToPlayWithToysProductions@Yahoo.com

Monday, January 26, 2026

Blue Beetle - DCEU Review Series

 DCEU Review Series

Blue Beetle

2023

Director: Angel Manuel Soto

 


The DCEU burn-off continues with Blue Beetle which had a lot of potential but ultimately comes off as a made for TV comic book movie.  The acting is weak, the plot is derivative, the characters are one dimensional.  The big Hollywood trope these days is the need to emphasize family when making films that don’t involve white people.  Hollywood leans on the family devotion card anytime they make a film with a main character of a nontraditional Hollywood ethnicity.  It’s like Hollywood feels the need to explain to white people that ethnic people have families.  Or they don’t think white folks watching the film will be able to relate to anything other than family devotion.  

 

Xolo Maridueña Comes with a lot of clout as an actor after his stint on Cobra Kai.  He plays Jamie Reyes/Blue Beetle which should be perfect casting. The acting is phoned in like a bad single camera format sitcom.  Susan Sarandon as Victoria Kord does no better.  All the performances are staler than a soap opera.  This isn’t the result of poor talent.  It’s poor writing and bad directing.  

 

The plot is Blue Beetle comes back from college and finds out his family is broke.  Susan Sarandon is making military weapons despite Jenny Kord’s (played by Bruna Marquezine) objections.  Blue Beetle sports a total crush on Jenny Kord and befriends her.  

 

Through circumstances which require movie magic Jenny passes a special scarab to Blue Beetle which gives him his power.  It’s some piece of tech which infuses itself to a host and gives him superpowers.  One nice twist on the superhero trope is his entire family sees him get the powers, so there isn’t a secret identity.  The implementation of that could have been better.  George Lopez was too over the top with his reactions.  The director went for comedy where it should have been genuine concern.  The discovery of his powers is a rip off of Iron Man.  

 


Jenny pops in and explains the origin of the scarab and how Susan Sarandon will kill Blue Beetle to get it back.  Team Blue Beetle form a plan to get intel to help him remove the scarab.  Antics ensue and they infiltrate the bad guy compound.  Blue Beetle fights a villain very similar to Iron Man’s villain Warmonger.  We learn Blue Beetle doesn’t want to kill people but the robot voice in the scarab attached to him has no issue doing that.  Blue Beetle learns the scarab is attached to him until he dies.  It’s a Hollywood requirement to dislike this finding, need time alone to think, followed by a pep talk from a mentor, love interest, or elder. In this case George Lopez gives him the talk. 

 

Susan Sarandon attacks Blue Beetles family to draw him out.  Blue Beetle shows up to save them and action ensues.  During the battle Blue Beetle’s dad has a heart attack and dies.  This distracts Blue Beetle enough that he ends up getting captured.  His family rallies together to rescue him with the help of Jenny.  She hooks them up with the original old school Blue Beetle tech.  Before they can reach him, Blue Beetle is about to die while Susan Sarandon downloads the scarab’s code.  Blue Beetle’s dead dad shows up in a vision as he’s about to die and gives some extra inspirational guidance, like in Thor: Ragnorok.  He bust loose from his captivity and takes down the bad guys. Everyone gets a happy ending.  Blue Beetle gets the girl. 

 

It’s not a terrible film but there’s nothing truly unique or interesting.  They took Marvel plot points, tossed them in a blender, and we got Blue Beetle.  The film is a four-ball walk.  There are arguments this is not part of the DCEU but the intention was there.  It has been made clear it’s not part of the new DC film universe but the lead actor is supposed to play Blue Beetle in future installments of the new universe.  Xolo can thank how awesome Cobra Kai is for the second chance and the job security.  

 


Written by
Joseph Ammendolea
Owner/President
“I Like To Play With Toys” Productions®
ILikeToPlayWithToysProductions@Yahoo.com

Friday, January 23, 2026

Stereomatic - Bye Bye Love

 Live at Spotlight in Huntington, NY. 

Wednesday, January 21, 2026

The DC Animated Universe Weekly Review - Superman: The Animated Series

Superman: The Animated Series

Episode 18

Speed Demons

 


Superman meets the Flash!!!  It doesn’t get more exciting than Superman’s first superhero crossover.  Yes, there was his episode with Lobo, but Lobo was a villain in that episode and he’s more of an anti-hero.  This is a legit future Justice League member who is going to race Superman for charity.  

 

Little do they know, the duo are being manipulated to generate energy for The Weather Wizard who wants to hold the world hostage with his weather control device.  It’s really a ridiculous plan.  The man can control the weather.  He can make billions by selling his device to governments.  Plenty of locations want water for dams, snow for ski season, proper sunlight/rain balance for crops. Instead of marketing his invention for countless amounts of money he holds the world ransom for pennies on the dollar of what it’s actually worth.  In the process he tries to kill his own brother who actually invented the machine when he doesn’t want to participate with the plan.  Superman and Flash save him though. 

 

Send this idiot to Arkham.  If you look at someone like the Mad Hatter who made a million dollar invention but turned evil after being rejected by a woman he was obsessed with, that makes sense.  It wasn’t a crime for money, it was a crime of love.  Weather Wizard is small-minded.  

 

Superman and Flash team-up and stop him.  He goes to jail.  They agree to finish their race but we don’t learn who won.   Also, Weather Wizard is a weak villain without his weather staff.  He loses that in this episode but goes on to return in Justice League with it again.  We already know he wasn’t the inventor, so how does he recreate his destroyed device?  The brother he tried to kill gives him a second one? Doubtful. Lots of plot holes.  

 

Overall since Flash is in it, the episode holds up.  But we have another weak poorly executed motivation from a Superman rogue.  We never learn which Flash this is in the DCAU.  Is it Barry Allen? It’s a different voice than his Justice League actor but voices get recast often in the DCAU.  Is it Wally West, the hero we love in Justice League?  Best guess is this is Barry Allen since the costume is a little different and the voice is different.

 

Written by
Joseph Ammendolea
Owner/President
“I Like To Play With Toys” Productions®
ILikeToPlayWithToysProductions@Yahoo.com

Friday, January 16, 2026

Stereomatic - Psycho Killer

 Live at Spotlight in Huntington, NY. 

Wednesday, January 14, 2026

The DC Animated Universe Weekly Review - Superman: The Animated Series

Superman: The Animated Series

Episode 17

Livewire

 


Livewire is a custom made villain for the TV show because the writers wanted to flesh out Superman’s rogues gallery.  Leslie Willis starts out as a female Howard Stern copy who talks trash about Superman for ratings.  During a big anti-Superman rally she is hosting in the Metropolis version of Central Park, a lightning storm happens.  Superman shows up and tries to convince the crowd to disperse, for their own safety.  The crowd refuses, Willis incites them.  Lightning strikes, Superman tries to stop her from getting struck, in the process they both get struck and she ends up with electric super powers. 

 

It’s the most tired trope in television and film.  Lightning is this magical finger from the gods that gives abilities to everyone who comes across it.  Once you get past the trope the episode moves along.  Livewire looks all white and blue now.  She’s upset she looks like a freak but she’s actually much hotter than her human self ever did. 

 


She discovers her electric powers and holds the city hostage for money.  It’s a ridiculous plan.  She’s a popular radio DJ who was deformed in a freak accident. She could make more money with a book deal or possibly a lawsuit against the city.  Holding the city ransom with the power of electricity is not needed.  She could easily land a job with her electric powers and not have to resort to super villain status.  There could be a logical argument for insanity in her case. Her physical transformation could have affected her mind and caused her to freak out.  

 

Superman confronts her and during the fight she gets water all over her and totally fries her abilities.  She’s catatonic and placed in special holding facility to return again later.  

 

The villain herself is great.  Her origin is weak.  How can Superman being struck by lightning transfer powers to other people?  If a piece of his power is now in her, how can she ever be a challenge for Superman?  He’s still the stronger one.  Giving him a weakness to extreme electricity is believable.  If someone can generate enough voltage, Superman can be hurt.  It appears the writers struggled to create comparable adversaries to Superman.  Ultimately they succeeded but the episode demonstrates how thin they were truly stretched in this endeavor.  

 

Written by
Joseph Ammendolea
Owner/President
“I Like To Play With Toys” Productions®
ILikeToPlayWithToysProductions@Yahoo.com

Monday, January 12, 2026

The Flash - DCEU Review Series

DCEU Review Series

The Flash

2023

Director: Andy Muschietti

 


We’ve talked about reasons to boycott this film and stand true to that stance.  Our main issues stem from Ezra Miller’s poor conduct and how WB had the ability to edit him out and recast him, considering the money they dropped on Batgirl and didn’t release the film.  A few extra dollars replacing the star actor with a person who has better morals is certainly possible with the technology.  Kevin Spacy was completely removed from All the Money in the World and replaced with Christopher Plummer. 

 

With that said, even without the controversies of its leading man, the CGI is something out of 1998.  It looks cheap and unrealistic.  Flash saves a bunch of babies from falling out of a building and it’s the worst effects ever.  It’s not compelling, funny, entertaining, or important to the plot. Ezra Miller’s performance with his high squealed voice and comedic timing is grating on the ears when leading a film.  

 

Ben Affleck and Gal Gadot return as Batman and Wonder Woman in their last appearances to-date.  Some lame jokes occur, coupled with lame action.  The movie then tries to set up Barry Allen just like Peter Parker in Spider-Man 2 but with none of the interest or endearment that film had.  The nondescript Indian/Pakistany boss that’s a douchebag to him but also saying he likes him was ripped right from Spider-Man 2. 

 

We then get some lame clunky exposition about Barry’s family history.  The film tries to not make it clunky, they just failed.  Some points for effort at least. Barry wants to travel back in time to stop his mom from getting killed and his dad being framed for her death.  Bruce Wayne tells him it’s a bad idea.  

 

He ignores the advice and goes back anyway.  Flash changes crap, causes problems.  Then starts talking to his past self. His past self is a bigger more annoying douchebag than present self.  It’s supposed to be funny but it’s just annoying.  The film unknowingly acknowledges the annoying thinking it’s being funny but nope, just annoying.  The time doubles is painful.  Doubling up on an unlikable actor, playing the same character, with that screeching voice, is nails on a chalkboard. 

 

Older Flash loses his powers in the time whammy but makes certain Young Flash gets his powers.  Old Flash thinks that will power him up but it doesn’t work.  His fiddling with time takes us back to Man of Steel and the Zod invasion is happening.  This is actually a cool idea, though not very original, they go back to the film which starts the entire DCEU. The intent of this film, was a soft reboot of the DCEU but it evolved into a hard reboot.  The Flash’s time alterations have caused all these crazy changes to history.  

 


Flash and Young Flash pay a visit to Bruce Wayne for advice but come across Michael Keaton Batman instead on Ben Affleck Batman because time has changed him.  Michael Keaton explains time as a river, not fixed points.  Therefore if you change something in the past it ripples backwards and forward.  An original and appreciated twist on time the travel trope.  

 

Keaton’s appearance adds a nice balance of energy but is far different from the version of Batman he played in 1989.  As required when using super heroes who are “retired,” they always say no first, then after plot progression change their mind and say yes.  In this case he experiences no plot progression, just randomly changes his mind.  Batman agrees to help the Flashes to find Superman in order to stop Zod.  

 

Batman and the Flashes bust into some government compound and we see Batman pull off fighting moves that he never did in Batman 1989 or Batman forever.  He’s not the same guy.  The director wants us to feel nostalgia, but he never fought like that.  Or maybe the creators wanted Christian Bale to comeback but he said no.  They come across Supergirl while trying to find Kal L.  She’s being kept in a red sun chamber to stifle her powers.  Once she gets some sun she proceeds to beat the crap out of all the guards at the facility.  

 

They return to Wayne Manor and Batman offers to help Older Flash get his powers back.  Supergirl steps in to add the final touch. Supergirl, Batman, both Flashes team-up to stop Zod.  Fights ensue, nothing spectacular or interesting.  They fail but Young Flash decides to go back in time and start making fixes, Old Flash follows.  They do this a few times and keep failing.  Young Flash bugs the fuck out and keeps trying which causes all the universes to collide.  Then they start fighting a really old Flash.  We see a few different versions of DC characters in films through the years.  A crappy CGI Christopher Reeves Superman, 1960s Batman, a funny nod to the film that never was Nicholas Cage Superman fighting a giant spider.  Older Flash realizes he needs to let his mom get violently murdered in order to save all of existence.  

 

The only time change he can do is allow his dad to be exonerated for her murder.  His alteration causes George Clooney to become Batman.  It’s supposed to be funny but Miller overplays the joke and ruins it.  

 

This film is a turdfest.  Whatever decent parts and ruined by a poorly acted and written lead character.  Supergirl was cool, Michal Keaton Batman was enjoyable.  Ezra Miller ruins this film.  It’s not even his personal life actions. It’s his horrible acting.  After this the rest of the DCEU is just burn off because they were too far into production to cancel the projects outright.  

 


Written by
Joseph Ammendolea
Owner/President
“I Like To Play With Toys” Productions®
ILikeToPlayWithToysProductions@Yahoo.com

Friday, January 9, 2026

Stereomatic - Blitzkreig Bop

 Live at Spotlight in Huntington, NY. 

Wednesday, January 7, 2026

The DC Animated Universe Weekly Review - Superman: The Animated Series

Superman: The Animated Series

Episode 15 & 16

Blasts From the Past Part I & Part II


The creators did their Zod episode without actually calling the big bad Zod.  Zod’s origin traces back to the comic but became popular via his portrayal in the films by Terrance Stamp.  For unknown reasons the creators chose to use the comic character Jax-Ur who was a mad scientist but give him a Zod backstory.  Before we even see Zod we get Mala.

 

Superman is hanging out with his buddy Professor Emil Hamilton and they are fiddling with Superman’s spaceship.  Hamilton discovers the Phantom Zone projector and a monster is accidentally unleashed.  After an action sequence Superman puts the monster back in the Phantom Zone and hears Mala complain she should be paroled.  Since Krypton was destroyed no one has been monitoring the Kryptonian prison and there’s a backlog on prison releases.

 

Superman investigates her history via the Brainiac orb (that somehow doesn’t contain Brainiac’s essence) and learns she’s not lying.  He sets her free.  He teaches her about earth and how to use her powers.  He hopes to have an alley in is fight to make a world a safer place.  She turns out to be a war mongering nut job.  When she realizes Superman is not her kind of guy she decides to free her old boss Jax-Ur.  



Jax-Ur and Mala plan to conquer Earth.  Superman can’t let that happen.  In his efforts to stop them, he whips out the Kryptonite while in his led toy selling suit and it totally messes them up but they are still able to zap him into the Phantom Zone along with the eradiated rock.  They proceed to destroy the projector but Professor Hamilton is able to make a new one and set Superman free.  He then confronts the bad guys and puts them back in the Phantom Zone.  

 

It’s not a bad episode but Jax-Ur and Mala are poor substitutes for Zod and Ursa.  The characters are almost identical in attitude but they never pack the punch that should come along with militant Kryptonians.  Perhaps it’s the lack of fighting which diminishes their impact.  Superman doesn’t beat them through brute strength but more through trickery.  The day is saved but they were two characters Superman could have beaten to a pulp but instead just blasts them back to the Phantom Zone.  



Written by
Joseph Ammendolea
Owner/President
“I Like To Play With Toys” Productions®
ILikeToPlayWithToysProductions@Yahoo.com

Friday, January 2, 2026

Stereomatic - Move Out

 Live at Spotlight in Huntington, NY.